I work at the intersection of image-making, identity, and feeling. With roots in fashion and film, my practice moves between film, photography, and digital construction — building worlds where softness isn't found but made.

I'm drawn to collage as a way of thinking, layering skin, fabric, movement, and memory until something unfamiliar surfaces.

I like textures that sit between real and synthetic. The low hum of nostalgia. The quiet ways queerness reveals itself in surfaces, in light, in what's almost hidden.

These aren't finished products. They're studies — soft renders, visual experiments shaped by intuition, distortion, and desire.

In a culture wired for speed and perfection, I prefer the in-between: the slower image, the one that hasn't decided what it is yet.