I work at the intersection of image-making, identity, and machine intuition. With roots in fashion and film, this is where my tools shift / where photography meets AI, where CGI blends with animation, and where softness is constructed, not captured.

I treat these technologies like collage / layering fragments of skin, fabric, movement, and digital memory. I’m drawn to textures that feel both real and synthetic, to the low hum of nostalgia, and to the quiet ways queerness reveals itself in surfaces.

These aren’t finished products. They’re studies in feeling.
They’re soft renders / visual experiments shaped by intuition, distortion, and code.

In a culture wired for speed and perfection, I prefer the in-between: a slower collaboration, where the machine doesn’t finish my thought / it interrupts it.